Saturday, March 30, 2013

THE MONTEREY JAZZ FESTIVAL BAND LET THE GOOD TIMES ROLL

The Monterey Jazz Festival Band

As a jazz reporter, I've experienced my share of all-star jazz bands that fail to rise to their billing. In theory the star powered bands work, but in reality there’re often disappointing. The Monterey Jazz Festival band—Christian McBride, Dee Dee Bridgewater, Chris Potter, Benny Green, Lewis Nash and Ambrose Akinmusire—is an all-star band the works theoretically and in reality. 

They proved that much song after song Thursday evening during their concert at Orchestra Hall in midtown Detroit. Whoever thought to put those jazz musicians in the same band knew what they’re doing. 

The two-hour concert opened with a cute duet with McBride and Bridgewater. They flirted with each other like puppy-love struck teens before they performed Billie Holiday’s number “My Mother’s Son-in-Law”. 

McBride and Bridgewater proved to be a likable couple on McBride’s 2010 album “Conversations with Christian”. Bridgewater knows how to work a stage. She normally does it with sexual innuendo that would offend many churchgoers. 

To Bridgewater's credit the innuendo works. Her audience enjoys the teasing although it can be annoying at times. Bridgewater's voice was lovely, and she provided some comic relief. After the Holiday number ended and the near capacity audience was sufficiently buttered up, McBride introduced the rest of the band. 

Akinmusire, the youngest member was the butt of McBride’s jokes. The trumpeter, who shared his gift with the jazz world on his Blue Note debut “When the Heart Emerges Glistening,” took the ribbing in stride and played until his ass caught fire. 

The band served up outstanding versions of “Let the Good Times Roll,” “Shades of the Cedar Tree” and “ Tango”. All the members had their moments in the sun. Hands down, Green was the MVP. Green is a physical piano player. 

While playing he twisted his body like a college wrestler. Green is an unsung swinger with a body of work to prove it. All night he played like the devil possessed his fingers, especially on another Holiday favorite “God Bless the Child”. 

Between numbers some members talked about the history of the Monterey Jazz Festival, and how they figured into it. McBride is the official leader of the band, but Bridgewater behaved at times like she was the boss. 

Obviously, Bridgewater isn’t used to playing second fiddle to anyone even a musician of McBride’s accomplishments. McBride and the others were unfazed when Bridgewater hogged the spotlight. I think the audience figured it was Dee Dee being a diva. Bridgewater can be a ham. 

But undeniably, she’s one of the top jazz singers working. I’ve attended a half-dozen of her concerts. I’ve never left disappointed. She’s the consummate show-woman. But sometimes her antics and the sexual innuendo are overkill. Unlike too many all-star bands the Monterey Jazz Festival band works in theory, but most importantly it works in reality.  
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