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| Saxophonist Wendell Harrison |
Those familiar with jazz
saxophonist Wendell Harrison's history know he wears many hats: the co-founder of the iconic band Tribe, composer of classics like “Dreams of a Love
Supreme,” music educator at Metro Arts, mentor to generations
of jazz musicians, and business executive behind independent jazz label, WenHa. His discography is populated with jewels like “Get Up Off Your
Knees,”"Rush and Hustle," “Fly by Night,” and “Wait Broke the Wagon Down.” His Moma's Licking Sticks Clarinet Ensemble became one
of the more acclaimed jazz ensembles regionally. In 2018, he received the
highest honor given to a Michigan artist, the Kresge Eminent Artist award. Saturday
night, key areas of his accomplishments and genius were highlighted during a
two-hour tribute to him at the Carr Center. The
center was packed with admirers, family, and young and accomplished musicians
whom Harrison has influenced. The celebration offered musical performances,
poetry, and testimonials. Saxophonist Stephen Grady Jr. and pianist Jacob Hart
opened the evening with “Stablemates,” “Take the Coltrane,” and “Peace,” recreating
much of the magic that Harrison and the late pianist Harold McKinney summoned
up on their duet album “Something for Pops.” Grady, Jr. has a clean and
uplifting tone, as well as a command of the tenor saxophone akin to Joe Henderson. Hart—who’s
still a high schooler—has already made a name for himself, headlining top jazz clubs
around Detroit. For a teen jazz pianist, he has an OG’s ability to efficiently groove
and move through chord progressions. And he demonstrated that he’s a thoughtful
accompanist. Grady, Jr, and Hart’s terrific opening set was augmented by poetry
from wordsmiths Professor Gloria House and the pastor of the Shrine of the
Black Madonna Church, and a short but soul-soothing number from pianist Pam
Wise, trumpeter Ingrid Racine, and saxophonist Salim Washington. Harrison schooled him, and although he's now a world-renowned bandleader
and music educator, he still considers Harrison to be his north star. After the
great performances and anecdotes by bassist Ralphe Armstrong and Carr Center
President Oliver Ragsdale, Harrison took the stage, obviously touched and
appreciative of all the love lavished on him. Harrison
discussed the origins of his organization, Rebirth, and its cultural impact in
Detroit. He also shared stories about meeting his wife, the accomplished and
woefully underpraised jazz pianist Pam Wise. Together, they performed a duet on
her original piece, “Fly by Night.”
It was a
pleasure listening to them swing lovingly and showing their fondness for each
other and the music. The celebration ended with Harrison and Hart performing a
blues. Here’s where I gained a deeper sense of Hart’s true potential, particularly in his ability to expose the marrow of the blues, as if he had vast life
experience. The tribute’s only shortcoming was that none of Harrison’s
signature compositions were performed. Still, it was a fitting celebration for
a musician, educator, mentor, and business executive who’s been a cultural
force in Detroit for decades.

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