Ian Finkelstein (photo by Karen Fox) |
Deas
has the most mileage. During the early 2000’s, he was a key member of the then
popular jazz group Urban Transport. And White is a promising drummer feeling his way around Detroit's jazz scene. When I heard
him for the first time a few years back he was bombastic and flashy. He's matured into a
serious drummer capable of powering a band.
Last night, White showed
signs he’s become a tasteful drummer like Detroit drummers Djallo Djakate and
the late Bert Myrick. There was a moment when White was playful. On New Dog, a Finkelstein original, White
gave the melody a swift kick in the ass.
Finkelstein has grown into a marvelous
jazz pianist, which isn't surprising. Pianists Tad Weed and Geri Allen were his
mentors. At 23, Finkelstein seems comfortable and confident leading a band at a
major jazz venue. He has great admiration for
jazz standard compositions.
Besides, he knows
how to update the standards without compromising their poignancy. Herbie
Hancock is his main influence. Listening to Finkelstein play standards warmly and imaginatively made me wonder if Barry
Harris and Billy Taylor were also influences.
All night long, Finkelstein conducted himself and the trio as if playing the Dirty Dog was major, which it is because only the top national and regional jazz musicians are booked there. Finkelstein’s trio could be one of the best in Michigan someday if he figures out how to keep the trio together.
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